Allison Anders (Grace of My Heart) Talks with Wim Wenders (Paris, Texas) for The Talkhouse Film Podcast

Two great filmmakers, who have been friends for more than 30 years, discuss movies, TV, music, the digital age, and more.
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On this latest episode of the Talkhouse Film podcast, writer-director Allison Anders talks with her mentor, iconic German filmmaker Wim Wenders, on the occasion of Wenders’ new touring film series. In their fascinating and wide-ranging conversation, the two old friends talk about a possible sequel to Paris, Texas, why Wenders didn’t direct True Detective, how Until the End of the World presciently anticipated everything from GPS to search engines to selfie culture – and also a lot of stuff about music, including how Wenders saved The Goalie’s Anxiety at the Penalty Kick by digitally replacing an Elvis song with a copycat  track, Wim buying Allison her first iPod, and a discussion of the art of the mixtape. For more filmmakers talking film and TV, visit Talkhouse Film at thetalkhouse.com/film.

The music featured in the podcast is as follows:
1. Intro / outro underscore: “Plastic Man vs. The Giant Red Phase Of The Sun” – Iced Ink

Episode engineered and edited by Elia Einhorn.

Allison Anders is an award-winning film and television writer and director. She is best-known for films such as Gas, Food Lodging (1992), Mi Vida Loca (1993), Four Rooms (1995) and Grace of My Heart (1996), and is currently a prolific TV director, helming episodes of shows such as Sex and the City, The L Word, The Mentalist and Orange is the New Black. A winner of the MacArthur Genius Grant, she is also a Distinguished Professor in the Film And Media Studies Department at the University of California Santa Barbara.